https://www.amazon.com/dp/B0BTRPSJ5G?ref_=pe_3052080_397514860
The cover features the fantastical scene of a mythological beast with a ship in the background from the French edition of Jonathan Swift's Tale of a Tub. The tub here, symbolizing exploration of the unknown, blending real with mythical, the title in its sails, so to speak, implies a transformation of historical & cultural elements of a perhaps mystical Philadelphia, with an influence from more than Swift of European that embodies myth and philosophy to explore this Philadelphia as a metaphor for any civilization at a crossroads of either salvation or damnation. It could be suggested that salvation requires a "translation," a reinterpretation of current realities, histories, and myths.
It might be better to characterize as literary research the allusions of this fiction than to treat it as a psychological investigation of the interior first Adam, where that most dangerous monster of the deep, leviathan, symbol of the art of AI, is torpedoed by an American submarine in the best tradition of Evangelion killing angels, itself spawned after the holocaust visited on Japan that got Godzilla, yes, and the one on land with it, behemoth, strafed and bombed and droned, gunned by our air force, mysterious as that sounds. And who the agents are for good or ill we might like to know, whether extensions of technology are an equal danger with the primordial beasts in the hunt, that is, where all that technology came from by the way. To couch all of this in an account of prospectors camped outside the New Jerusalem to mine the gold is a historical unhistorical leap with the mythic disproportion it encounters, even if it elected Werner Herzog mayor, for if anybody could organize an attempt into that City hovering over the ground it was he. Philadelphia as a metaphor of Jerusalem or any civilization at this crossroad "translation" of "Higher" and "lower mind," identity and anonymity, name or no name, bespeaks a new state of utopian technologies and philosophical mishap. When these ships pulled in they built presidential mansions, and centaurs disembarked. So how else can we express all the currents and undercurrents of the last years before?
"New Philadelphia" could symbolize a new state of existence or understanding of the idea of personal and societal transformation in either a utopian or dystopian vision of society. There are hints of a critique of modern societal constructs, technologies (electro-magnetic), and governance, suggesting a world where the physical and metaphysical collide in mentions of mythical creatures like Leviathan and Behemoth. There's an implication of a deeper, often hidden, truth in disastrous or confusing outcomes of biblical stories involving eschatological visions like Noah's flood, Lot and Sodom, Leviathan, and the Book of Revelation). Phrases like "the days of new Noah" and "the flood came or when the fire fell on Sodom" evoke a sense of judgment and transformation.
Unified in a language dense
with symbols and metaphors terms like
"seraph" (meaning "burning one") and "Leviathan" are not just literal
but are used to convey complex ideas about power. Multiple literary, historical, and
religious references create a familiarity where thoughts flow to provoke reflection, and
perhaps even spiritual or intellectual awakening in the reader. "A
Translation of the New Philadelphia" of deeply symbolic and metaphorical
text is rich with biblical references, apocalyptic imagery, and
philosophical musings.. Perhaps a glossary is in the
offing. The writing style creates a sense of urgency and immediacy.
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